Theortetical rumination Essay Example | Topics and Well Written Essays - 1000 words

Theortetical rumination - Essay ExampleRather than position forward that jealousy exists as a type of monolithic entity in which the reader elicit look to to understanding and engage with, the authors put forward a multi-dimensional approach to the construct whereby infinite levels of meaning potbelly be drawn from devoutly each and every stanza or verse within the play.As a means of discussing the multiple representations of jealousy that are exhibited within the play, the authors seek to analyze their causal factors through the crystalline lens of a feminist approach, male centered approach, versed frustration approach, philosophical approach (i.e. analysis of the Machiavellian aspects of Othellos jealousy), categorization of envy as a causal mechanism to Othellos jealousy, jealousy as a function of insanity approach, and jealousy as a result of the sexual objectification of women as demonstrate through Othellos deeds, thoughts, and actions. In this way, the authors present a multifaceted and nuanced means of analysis whereby the reader can draw a powerful level of inference on the extent to which each one of Othellos actions and or thoughts/sayings can be analyzed within the preceding rubric and determined whether or non it ascribes to any one, or none, of the levels of analysis that has thus far been listed.Regardless of previously discussed themes of jealousy, the piece goes on to severalise that the most prescient and likely form of jealousy that exists within Shakespeares play is that of a sexual nature. Rather than confronting the issue head on, the protagonist seeks to recluse within the confines of his own lurid mood and busies himself with a fantasy world built of the constructs of his own mind. As a function of this, the authors argue, the level to which jealousy is enshrouded in the complex emotions and personal dynamics of Othello only serves to be amplified. Whereas the issues of jealousy were at the forefront near the beginning of the play,